Manifestations of Syncretism in Postmodern Literature

Abstract

This research explores the stylistic and thematic peculiarities of postmodern literature through a comparative analysis of selected works by Western and Uzbek authors. It particularly examines how postmodern concepts such as fragmentation, metafiction, and intertextuality are represented in Don DeLillo’s White Noise and Isajon Sulton's selected prose. Furthermore, it investigates challenges in translating postmodern literary features into other languages. The study uses a comparative literary analysis method supported by stylistic analysis. Primary texts were analyzed in terms of structure, narrative technique, and the use of postmodern elements. Additionally, secondary literature on translation theory was reviewed to assess how effectively postmodern styles are conveyed in translation. The findings reveal that while both Western and Uzbek postmodern texts share thematic similarities—such as existential anxiety, skepticism of grand narratives, and linguistic playfulness—there are notable cultural and linguistic differences. Translating these works presents significant challenges, especially in maintaining tone, idiomatic expressions, and intertextual references. The study emphasizes the importance of cultural context in both the creation and translation of postmodern literature. It also suggests that a translator's awareness of postmodern literary devices is crucial to preserving the original's artistic and philosophical intent.