The Significance of National Cultural Elements in English and Uzbek Folk Songs
Article Sidebar
Main Article Content
Abstract
Folk songs play a vital role in reflecting a nation’s culture and preserving its historical memory. They provide deep insights into societal values, traditions, perspectives, and lifestyles. The national cultural elements embedded in English and Uzbek folk songs carry distinct meanings, offering a lens through which to understand the cultural essence of each nation. This article explores the significance of these elements as expressed in English and Uzbek folk traditions.
Article Details
Section
How to Cite
References
Anderson, Benedict. Imagined Communities: Reflections of the Origin and Spread of Nationalism. London: Verson, 1991.
Bartók, Béla. 1971 (Ed. Demény, János, Trans. Péter Balabán and Istvan Farkas). Béla Bartók Letters. Farber and Farber: London.
Bartók, Béla. 1976. (Ed. Suchoff, Benjamin.) Béla Bartók Essays. St. Martin’s Press, New York.
Bartók, Béla. 1979. (Ed. Calvocoressi, M.D.) Hungarian Folk Music. Hyperion Press: Connecticut
Bartók, Béla. 1981. (Ed. Suchoff, Benjamin.) The Hungarian Folk Song. State University of New York: Albany.
Bartók, Béla. 1997. (Ed. Suchoff, Benjamin.) Béla Bartók Studies in Ethnomusicology. University of Nebraska Press: Lincoln.
Frigyesi, Judit. 1996. “The Aesthetic of the Hungarian Revival Movement” in Retuning Culture:
Musical Changes in Central and Eastern Europe. (Ed. Mark Slobin.) Duke University Press: London.
Frigyesi, Judit. 1994. Béla Bartók and the Concept of Nation and Volk in Modern Hungary. Musical Quarterly 78(2): 255-87.
Hobsbawm, Eric. The Invention of Tradition. New York: Cambridge University Press, 1983.
Morrison, C. (2002). Culture at the Core: Imagined Communities and Invented Traditions in Scottish Traditional Dance. World
Dance/Ethnomusicology. New York, Barnard College, Columbia University.
Sugar, P. F. (1994). A History of Hungary. Bloomington, Indiana University Press.