Cultural and Historical Phenomenology of Russian Symbols and Signs in the Contemporary Historical Space
Main Article Content
Abstract
The article is devoted to the study of the phenomenology of Russian symbols and signs in their historical and cultural development and modern context. It examines the origins of Russian symbols, their evolution under the influence of globalization, and their role in shaping national identity, intercultural communication, and education. Special attention is given to the use of modern technologies in the transformation and popularization of national images. The article also touches upon the perception of Russian symbols in various cultural traditions, their adaptation in the modern media space, and the influence of new digital platforms on the perception of cultural codes.
Article Details
Issue
Section
How to Cite
References
Lotman, Y. M. Semiosphere. — St. Petersburg: Iskusstvo-SPB, 2000. — 704 p.
Propp, V. Y. Morphology of the Folktale. — Leningrad: Academy, 1928. — 400 p.
Averintsev, S. S. Poetics of Early Byzantine Literature. — Moscow: Nauka, 1977. — 312 p.
Zhabskiy, M. I. National Symbolism in the Era of Globalization. — Moscow: Academic Project, 2010. — 250 p.
Bakhtin, M. M. Aesthetics of Verbal Creativity. — Moscow: Iskusstvo, 1979. — 424 p.
Likhachev, D. S. Letters on the Good and the Beautiful. — Leningrad: Children's Literature, 1985. — 208 p.
Rybakov, B. A. Paganism of the Ancient Slavs. — Moscow: Nauka, 1981. — 783 p.
Berdyaev, N. A. The Meaning of Creativity. — Paris: YMCA-Press, 1925. — 352 p.